Smetanovy sady
Archimedon
Deinstalováno
The work on sculptures dealing with this subject is endless in some ways, thus revealing even one of the mental essentials of the work. The rhythm and movement of sculpture material comes alive by the movement of the observer, which of course does not necessarily have to be physical. However, it is not desirable to discourage the observer from direct contact with the sculpture. The author recommends that you engage in the folds of the work, whether physically or internally, and enjoy the secret of “a certainty of never-ending uncertainty.”




